Under the Influence with Terry O'Reilly - S4E06 - Marketing Hit Songs
Episode Date: February 8, 2015Just in time for the Grammy Awards, we look at how hit songs are marketed. With music sales in decline, recording artists are turning to inventive marketing ideas to sell their albums. From the first ...24-hour music video, to hiding lyrics in library books, to downloading a new album onto 500 million music libraries to the opposite strategy of issuing one, single copy of a new album, marketing hit songs has never had more interesting notes. Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
Hi, it's Terry O'Reilly.
As you may know, we've been producing a lot of bonus episodes while under the influences on hiatus.
They're called the Beatleology Interviews, where I talk to people who knew the Beatles, work with them, love them, and the authors who write about them.
Well, the Beatleology Interviews have become a hit, so we are spinning it out to be a standalone podcast series. You've already
heard conversations with people like actors Mark Hamill, Malcolm McDowell, and Beatles confidant
Astrid Kershaw. But coming up, I talk to May Pang, who dated John Lennon in the mid-70s.
I talk to double fantasy guitarist Earl Slick, Apple Records creative director John Kosh.
I'll be talking to Jan Hayworth,
who designed the Sgt. Pepper album cover. Very cool. And I'll talk to singer Dion,
who is one of only five people still alive who were on the Sgt. Pepper cover. And two of those
people were Beatles. The stories they tell are amazing. So thank you for making this series such
a success. And please, do me a favor,
follow the Beatleology interviews on your podcast app. You don't even have to be a huge Beatles fan,
you just have to love storytelling. Subscribe now and don't miss a single beat. We'll be right back. And no matter your team, your favorite skater, or your style, there's something every NHL fan is going to love about BetMGM.
Download the app today and discover why BetMGM is your hockey home for the season.
Raise your game to the next level this year with BetMGM, a sportsbook worth a sellie, and an official sports betting partner of the National Hockey League.
BetMGM.com for terms and conditions.
Must be 19 years of age or older to wager. Ontario only. Please play responsibly. Thank you. pursuant to an operating agreement with iGaming Ontario. You're under the influence with Terry O'Reilly. Alton Glenn Miller was born in 1904 in Iowa.
Glenn, as he would be called, was given a mandolin by his father when he was a young boy.
He later traded it for a horn and went on to play trombone for his high school band.
In his college years, he would play in a succession
of musical groups, but found success in 1938 when his new Glenn Miller Orchestra got their
first engagement at a local casino. It only took Glenn Miller one more year to hit the big time. Between 1939 and 1942,
his orchestra scored
an astounding 70 top 10 hits,
a feat contemporary artists
could only dream of.
With the onset of World War II,
Glenn Miller left
his musical success behind to serve his country.
While in the Air Force, he organized the Glenn Miller Air Force Band and entertained troops across Europe.
One night, on a flight to Paris in 1944, his plane mysteriously disappeared over the English Channel.
The plane and Glenn Miller were never seen again.
The man who had brought
a unique swing to big bands
was gone at the age of 40.
But three years before
his untimely death,
the Glenn Miller Orchestra
had made their first motion picture.
The film was called
Sun Valley Serenade
and it featured the song Chattanooga Choo Choo.
Chattanooga Choo Choo would become famous for several reasons.
First, it sold over 1.2 million copies.
And second, that milestone prompted RCA Victor to award Glenn Miller with the first ever gold record.
You see, it's been a long time, 15 years in fact, since any record has sold a million copies.
And Chattanooga Choo Choo certainly put on steam
and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn
should get a trophy. The best one we could think of was a gold record of Chattanooga. And now, Glenn,
it's yours, with the best wishes of RCA Victor Bluebird Records. Selling one million records was no easy feat back then.
But Miller's accomplishment and the gold record designation
set a new standard that all artists would try to emulate from that point on.
To this day, the music industry still uses one million sales
as the sign of a bona fide mega hit.
But it's an increasingly difficult feat to accomplish, and last year, only one artist
managed to do it.
With the music industry in distress and record sales in a free fall, artists are relying
more and more on innovative marketing to sell their music. From a historic 24-hour music video
to hiding lyrics in libraries
to a band that only released one single copy of their new record,
the marketing of hit songs has never had more interesting notes.
You're under the influence. Forbes magazine asked an interesting question last October
It wondered if 2014 would be the first year in modern history
where no recording artist
would sell more than
a million albums
in the U.S.
It looked like that prediction
might come true.
Then, sneaking in
under the wire
before the end of the year,
came Taylor Swift's
new record.
The album entitled
1989 debuted at number one
and sold 1.28 million albums in its first week,
certifying it as 2014's only million-selling album.
The Recording Industry Association of America
changed its designations in 1976.
That year, it stated that sales of 500,000 would receive a gold record, and sales of 1
million would now receive a platinum record. In 2013, only five albums went platinum. In 2014,
only Taylor Swift reached that mark. And the number of platinum singles was down almost 28%. At the time of this writing,
overall digital track sales fell over 12% in 2014.
That signals a trend,
as 2013 was the first year digital sales had ever seen a decline.
When you look at genre sales,
every category was down,
from pop and rock straight through to hip-hop.
Clearly, the music business is an industry in trouble.
But just as times of war lead to incredible innovations,
the decline of the music business has led to some very interesting marketing ideas.
The biggest hit single of 2014
was Happy by Pharrell Williams.
It went multi-platinum,
which made the music industry
very happy.
Prior to Happy,
Pharrell Williams was a very successful
songwriter and producer.
Together with friend Chad Hugo,
the duo produced hits
for the likes of
Britney Spears,
Nelly,
and Snoop Dogg.
At one point in 2003,
it was reported
the duo was responsible
for one-third
of the Billboard 100
and a whopping 43%
of the songs played
on U.S. radio.
Suddenly,
the hits dried up.
They didn't have one top 40 song from 2006 to 2012.
Then, in 2013, two songs Pharrell Williams co-wrote
did a little business.
Blurred Lines sold over 5 million copies in just 22 weeks,
faster than any other song in digital sales history.
Then, he got lucky again with Get Lucky by Daft Punk.
Get Lucky would stay at number one for 13 weeks.
Williams also began composing music for movies.
He wrote Happy for the Despicable Me 2 film,
but the song was just cut number four on the soundtrack.
Pharrell then decided to release Happy as a single
from his upcoming solo
album, but it got no
airplay. So he figured
the track needed a smart
marketing idea. That's
when he did something that had never been done
before. He created
a 24-hour
music video.
It was a hugely
ambitious project.
First, his team recruited dozens
of real people and some celebrity
friends to dance to the track.
Next, they secured
permits for multiple locations.
And because a 24-hour
video had never been done before,
the planning had to be meticulous
to stay within budget. filming started everybody only got one take no reduce
over the course of the 24-hour video the four-minute song played about 360 times
the video also contained an ingenious interactive clock, so you could click on any specific time of day to see what was happening.
For example, at 5.36 a.m.,
you can watch Magic Johnson dancing inside his mansion.
At 5.08 p.m., you can watch actor Steve Carell
hilariously singing the song on a school bus.
At 11 p.m., Pharrell has a great moment
dancing with an 11-year-old girl at a bowling alley.
The result?
A song that couldn't get any airplay
ended up being the first to sell over 4 million copies in 2014.
It would go on to sell over 10 million copies worldwide,
topping the charts in over 20 countries.
The world's first 24-hour music video has been viewed over 11 million times, and a 4-minute
cut-down has over half a billion views, making it one of the most watched of all time.
Proving that a catchy tune supported by some clever marketing can put a song on the map.
When U2 was ready to release its new album,
Songs of Innocence,
it struck an unprecedented deal.
Apple installed U2's album directly into the libraries
of 500 million iTunes subscribers.
It made sense to YouTube.
The number of fans willing to pay for music was dwindling,
but the band could use this free download as a promotion for their upcoming world tour.
The Apple deal promised more than $100 million worth of worldwide marketing and promotion.
A press release called it the largest album release ever.
But the free album provoked a divided reaction from the iTunes audience.
While many loved the free download, just as many were offended, calling it forced spam.
People who weren't fans of U2 resented the fact that they now had U2 in their iTunes libraries.
Others were just shocked by the fact Apple seemed to be acting as a publicist for U2.
Still, others complained the download took up valuable storage space on their computers.
Record retailers complained the free download devalued music and hurt their businesses. Not long after, the band answered fan questions
during a filmed interview on Facebook.
When one fan asked Bono to never again release an album
with an automatic download on iTunes because it was rude,
Bono answered,
I'm sorry about that.
This beautiful idea.
Bono got carried away with herself.
Artists are prone to that kind of thing.
Drop of megalomania, touch of generosity, dash of self-promotion,
and deep fear that these songs that we poured our life into over the last few years mightn't be heard.
For a week after the initial download, nobody could delete the songs.
Apple then issued special instructions on how to remove the album.
But was the marketing idea behind the free download a success?
Apple said a record-breaking 38 million people accessed the album,
far more than would have bought or heard the album normally.
There is no doubt the band took some collateral damage with the download.
Their next concert tour will determine whether it was worth it.
But it showed the fragile nature of unorthodox marketing ideas.
They come embedded with great potential and great risk.
Some of that risk can be mitigated,
but damage to a reputation often heals into a permanent scar.
And we'll be right back.
If you're enjoying this episode, why not dip into our archives?
Available wherever you download your pods.
Go to terryoreilly.ca for a master episode list.
Hip-hop group Wu-Tang Clan took a decidedly different approach than U2
when it came to marketing their new album.
Instead of distributing 500 million copies of their new record entitled
The Wu Once Upon a Time in Shaolin,
the band decided to make and sell only one copy.
You heard right. Wu-Tang only made one one copy. You heard right.
Wu-Tang only made one single copy of their new album.
Of course, it was no run-of-the-mill album design.
The group hired a renowned artist to handcraft a beautiful engraved silver and nickel box. It took three months to make.
The band wanted to treat their release as a piece of art.
Like the work of a famous painter,
the album will be a one-of-a-kind collector's item.
And like a Van Gogh or a Warhol,
the price tag will be in the millions.
When Wu-Tang announced their single-copy album,
it garnered a lot of attention from the press.
The plan was to take the album on a tour
of museums, galleries, and
festivals, and charge a
$30 to $50 admission price.
Visitors would go through
heavy security to ensure no
recording devices were present,
and then would be given headphones to
listen to the album's 31
new songs. And there
was one more beat to the story.
The album would eventually be auctioned off,
and the purchaser could choose to keep the music secret
or release it to the public.
If the owner did release it,
he or she would only have to pay royalties to the band,
not the record company, publisher, or producer.
And if the album was bootlegged,
Wu-Tang would have the name and address of the person
with the only known copy.
Part of the band's motive for making one copy
was to make a statement
that the digital world and streaming has devalued music
and they wanted people to view songs as art again.
The first goal of all marketing
is to pull in attention
and the One Copy album created significant buzz.
It also apparently attracted
an anonymous private bid of $5 million
to purchase the album after its museum tour.
So, was it a good marketing idea?
Well, all that press attention also paved the way
for the band's newest album called A Better Tomorrow.
It debuted at number 29 on the Billboard 200 chart.
And a band that was not on my personal radar suddenly
was.
One of my favorite music marketing ideas of 2014 came from Coldplay.
The band was promoting its new album entitled Ghost Stories.
And it came up with an ingenious way to market the launch by creating a worldwide scavenger hunt.
Coldplay decided to hide Chris Martin's handwritten lyric sheets in libraries
in nine countries around
the world. The lyrics were
tucked into books that all had a similar
theme, ghost
stories. And one
of those envelopes contained a golden
ticket, giving a fan a free trip
to London to see the band perform.
Coldplay then gave out clues on Twitter using the hashtag Lyrics Hunt.
For example, the first clue said,
quote,
Now, it didn't take long for smart fans MX is a capital idea. Search for Charlie D's festive spirits on
Español.
Now, it didn't take long for smart fans
to figure out that MX
was Mexico. The
capital idea suggested
the capital Mexico City.
The mega library
could only be the huge Vasconcelos
library. Charlie
D was Charles Dickens,
and his Festive Spirits was the book A Christmas Carol,
which contained ghosts of Christmas past and the handwritten lyrics.
Another Twitter clue said, quote,
In the library where ghosts were famously busted,
look for Jeff B.'s kids' book about spooks in the president's residence.
In less than 45 minutes, fans had figured out the
Library Where Ghosts Were Famously Busted
was the main branch of the New York Public Library
where Ghostbusters was filmed.
The book turned out to be
Who's Haunting the White House by Jeff Belanger.
And there, hidden in its pages, were the lyrics to a new Coldplay song.
The ninth and very last clue ended up with an unforeseen speed bump.
The clue said, quote,
To Africa, head south to J.H.B.'s library with a bank of roses.
The treasure is in Kenneth's Ghost Stories compendium.
South African fans instantly knew that JHB stood for Johannesburg
and a library there that was called Rose Bank.
But when fans raced to the library, they found the doors locked.
It was a public holiday.
So the next day,
fans raced back to the library when it opened
and one lucky fan found a book entitled
A Treasury of Ghost Stories by Kenneth Ireland
with the Coldplay lyrics tucked inside.
The golden ticket, by the way,
was found by a fan in a ghost book in Barcelona.
If you're looking for flexible workouts, Peloton's got you covered.
Summer runs or playoff season meditations, whatever your vibe,
Peloton has thousands of classes built to push you.
We know how life goes.
New father, new routines, new locations.
What matters is that you have something there to adapt with you,
whether you need a challenge or rest. And Peloton has everything you need,
whenever you need it. Find your push. Find your power. Peloton. Visit Peloton at onepeloton.ca. It was an ingenious marketing idea, generating a lot of press,
and it set Coldplay fans in a tizzy trying to quickly figure out the city,
the library location, and the book to claim the highly prized handwritten lyrics
and Twitter bragging rights.
It was also a big idea where Coldplay didn't outspend the competition,
they simply outsmarted them.
The cost of writing nine lyric pages,
inserting them into nine library books in nine cities,
and giving out clues on Twitter was absolutely minimal.
When Coldplay's album Ghost Stories launched,
it debuted at number one in Canada, the UK, and the US.
As of this writing, it had sold over 750,000 copies in North America
and over 2 million units worldwide,
making it one of the biggest hits of 2014.
One of the most recent and ambitious music marketing ideas was employed by Foo Fighters.
The band decided to travel to and record a new song
in eight different recording studios in eight different cities.
Foo frontman Dave Grohl also directed an eight-part HBO documentary called Foo Fighters Sonic
Highways.
The theme of the series was that the city, the recording studio, and even the weather
influences the way songs are recorded.
In each installment, Grohl interviewed the seminal musicians from each city and told
the story of the most fabled studio in that town.
Then, at the end of each episode, Foo Fighters recorded a new song in that studio.
On top of that, the lyrics to each new song had lines and words taken from Grohl's interviews.
Foo Fighters also played a very
rare one-week stand on the
David Letterman show. Letterman
happily promoted the new songs
and the HBO special.
But that only made sense.
The production company
behind Sonic Highways was
Worldwide Pants,
owned by David Letterman.
The HBO series promoted the album,
the album promoted the TV series.
As a result of this marketing idea,
which took more than a year to complete,
Sonic Highways debuted at number two on the Billboard 200,
it was voted the number one favorite album of the year
by Rolling Stone readers,
and tickets are selling briskly for Foo Fighters' 2015 concert tour.
Then, in an industry where sales are falling
and high-profile marketing is critical to a successful launch,
Beyonce released a new album on iTunes with no advance warning.
No pre-promotion, no advertising, no teaser videos,
no award show appearances, no interviews, no marketing, nothing.
What was even more amazing in this age of 24-hour information,
there were no leaks of the upcoming release whatsoever.
But on December 13, 2013,
Beyonce simply announced the new album by saying,
Surprise! on Instagram.
In no time, there were over 1.2 million mentions of the new album on Twitter.
It sold 80,000 copies in the first three hours,
becoming the fastest-selling record in iTunes history.
Not only did the self-titled 14-song album drop out of nowhere,
but 17 music videos were also launched simultaneously.
The Beyoncé album went to number one in 104 countries and sold 1.3 million copies in its first 17 days in North America.
In a world of oversaturation remember the Beatles' Abbey Road,
or Springsteen's Born to Run, or Jay-Z's Reasonable Doubt,
no one remembers the marketing campaigns.
So very true.
A good marketing campaign is like rocket fuel. It propels an album into the stratosphere
only to be completely burned up and never seen again.
But that liftoff is so critically important.
In an industry that seems to be shrinking daily,
all the artists we discussed today
used innovative marketing ideas to get massive
attention. Pharrell
Williams took a song that was getting
no airplay and catapulted
it into becoming the song
of 2014.
While U2 suffered
the wrath of fans when their new
album was downloaded onto 500
million iTunes accounts,
Wu-Tang Clan generated
a ton of publicity by making
one single copy of their
new album.
Foo Fighters traveled to eight cities
and shot an expensive eight-part
documentary series,
while Coldplay excited their
fan base by simply inserting
nine lyric sheets into nine
library books in nine cities
around the world.
Total cost? About
nine bucks.
It proves that big marketing ideas
come in two prices.
Expensive or
Beyonce.
When you're under the influence.
I'm Terry O'Reilly. Hi Terry, very interesting show today.
You know, there should be a category
for the best music marketing at the Grammys.
But what if Beyonce won best marketing
for not marketing?
Weird.
Under the Influence was recorded at Pirate Toronto.
Series producer, Debbie O'Reilly.
Sound engineer, Keith Ullman.
Theme music by Ari Posner and Ian Lefevre.
Research, James Gangle.
Hey, I like your style.
I'd like your style even more
if you were wearing an Under the Influence t-shirt.
Just saying.
You'll find them on our
shop page at terryoreilly.ca slash shop. See you next week.