We Need To Talk with Paul C. Brunson - “I’ve Never Spoken About This!” YUNGBLUD Breaks Silence On Bankruptcy, Dating & Toxic Masculinity
Episode Date: May 20, 2025In this episode of We Need To Talk, YUNGBLUD sits down for his most honest interview yet - revealing how he went from rock bottom to global success. Best known for anthems like I Think I’m OKAY and... Parents, YUNGBLUD opens up about the childhood trauma, identity struggles, and online hate that shaped who he is today. He reflects on growing up in Doncaster, the emotional toll of being misunderstood, and why he’s worried about young men today. YUNGBLUD speaks candidly about his relationship with Halsey, the reason he’s “taking space” from Jesse Jo Stark, and how relationships, identity and self-discovery have all played a part in his journey. From being signed at 21 to launching Bludfest, this is a story of rebellion, resilience, and radical self-expression. He also shares an exclusive on his upcoming single Zombie and what fans can expect from his fourth studio album, Idols. Please note this conversation includes sensitive topics that may be distressing Samaritans: https://g2ul0.app.link/qcJLJLhBjTb MIND: https://g2ul0.app.link/Ne9MpdtBjTb Survivor's Trust: https://g2ul0.app.link/yh0NrvNsvTb Beat Eating Disorders: https://g2ul0.app.link/gHK6cjr3ZRb Follow me here: https://www.instagram.com/needtotalk https://www.tiktok.com/@weneedtotalkpod Support YUNGBLUD here: Instagram https://g2ul0.app.link/WcWcbfu7uTb TikTok https://g2ul0.app.link/S02FIJA7uTb Pre-save Zombie https://g2ul0.app.link/eYVHjWp7uTb Pre-save IDOLS https://g2ul0.app.link/m1p5JkH7uTb (0:00) Intro (1:29) Growing Up in Doncaster (4:32) The Most Painful Moment in YUNGBLUD's Childhood (5:21) How Has YUNGBLUD's Turbulent Childhood Shaped the Man He Has Become? (10:24) People's Perceptions of YUNGBLUD from Childhood and Into Adult Life (20:42) YUNGBLUD's Thoughts Around Modern Masculinity (30:48) Who Did YUNGBLUD Look Up To as a Child/Teenager? (32:31) The Story of How YUNGBLUD Was Signed to Interscope Records (41:26) How YUNGBLUD Built His Fanbase and Community (43:44) YUNGBLUD's Struggle with His Identity During Commercial Success (46:09) YUNGBLUD's Insecurities Sparked by Online Comments and Discourse (50:33) The Inspiration Behind Bludfest (54:07) The Story Behind 'Hatred' (57:28) The Spectre of 27 and Music Artists (59:54) Shopify Ad (1:00:58) Tinder Ad (1:02:13) YUNGBLUD's Relationship with Jessie Jo Stark (1:09:02) YUNGBLUD's Relationship with Halsey (1:10:04) YUNGBLUD's Thoughts on Marriage and Having Kids (1:11:02) YUNGBLUD Addresses Discourse Around His Upbringing (1:14:09) YUNGBLUD Addresses Accusations of 'Queer Baiting' (1:19:23) Why YUNGBLUD Took a Break from Social Media (1:21:21) YUNGBLUD's New Album (1:24:21) YUNGBLUD's Book and 'Loves and Hates' (1:26:35) What YUNGBLUD Grandad Thought of His Career (1:29:39) The Meaning Behind YUNGBLUD's New Single 'Zombie' (1:35:18) What Would Seven-Year-Old Dom Say to 27-Year-Old Dom? (1:37:38) Most Memorable Conversation (1:42:51) Paul's Takeaways (1:45:29) Crossed Wires Ad Sponsored by: Shopify: www.shopify.co.uk/needtotalk Tinder: https://tinder.com/en-GB We Need To Talk LIVE: https://g2ul0.app.link/VOjDM0icWSb Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
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I f*** everyone under the sun.
People say, you're weird-baiting.
This thing about it is, right, love human beings.
Whatever it is, I'm down.
if it's vibe.
I really struggle with my body.
I always have.
People would say,
in the comments that I would read it and read it and read it.
I was like, I am not well.
I am drinking a lot.
I was just going on mad binges
and then eating nothing for four days.
I didn't even know how bad it was until I stopped.
We've got to talk about the music.
No one gave a fucking UK.
But then someone in America,
he goes, I want you to come to L.A.
You basically left with 60.
60 quid, and it came back with a $1.00 record deal.
What was the most painful moment?
My family went bankrupt.
I know they speak about that moment.
I really believe in kindness,
and I really believe in love.
I see it every day at the gigs.
This is why I am so happy that my son counts you
as someone who he admires.
Can we talk about love?
I have taken space from me the biggest love of my life.
Never loved anything.
Like, I love her.
That's why I got tattooed on my arm.
So why not be with her?
Before we get into it, just a heads up, we discuss some sensitive topics with Dom, including eating disorders, sexual assault, and domestic violence.
So please take care while watching.
Can we start?
Yes.
The adventure.
Yes.
In Doncaster.
We can.
All right.
Tell me about it because I've only stopped at the train stop.
Yes.
So when you think about describing Doncast, how would you describe it, especially growing up?
Rainy.
pavement, community, pubs, warm, cold.
Cold and warm.
Cold outside, warm inside.
You know, I really love where I'm from.
I haven't always loved where I'm from.
But I do now as a man, I think I love the north of England.
It's literally a fundamental base of my whole.
personality.
You know, I think
that's why such good music
and such good art comes out of the north
because it's kind of,
I always describe the north
as like, there's so much beauty in the dirt.
You know, I think
Donnie is such a middle town.
It's a city now, but it was such a middle town
in between York, Leeds and Sheffield.
Yes.
It's almost like a forgotten place.
You know what I mean?
In the middle of these big cities.
my dad and my granddad had a guitar shop.
There's literally a picture of me six hours old outside the hospital.
I'd just been taken from like been given birth to
and put on my dad's counter.
Wow.
And all the lads in the shot put of Beatles, ukulele across my lap.
So I think music was always kind of going to be the answer for me, you know?
And my granddad was a musician and he played with a couple bands
and he went to America and went on a couple tours.
and he really kind of loved any association with music.
So they built a shop in the north
where often a lot of bands would.
If you're in the middle of the north,
there's no prominent music shops.
So you'd either get your strings or dope guitars
or things from America in London.
But when you're on your way up to Glasgow
and you run out of stuff, there's nothing there.
So my grandfather got a shop
In Donnie, I was there this weekend
watching the football, actually.
And my uncles took me,
they're not really my uncles,
but, you know what I'm saying?
Like, your dad's best mates,
took me to where it used to be
because I never remembered it
because they got rid of it in Doncaster
when I was like eight.
Okay.
I don't know, I felt like
I felt like I was part of a gang in her way.
Interesting.
Was your grandfather almost like,
was it a patriarchal setup
where your grandfather was really
like the head of this family?
It was, yeah, it was, it was, it was really.
Like, when, when he, when he passed away,
he said the main characters died,
that's what my dad said, you know what I mean?
And, um, it's cool,
because I've never really spoken about it from this perspective,
like, it was such a lot of fun.
You know what I mean?
It was proper northern, cash in hand, business,
get in a van, like, go pick up the guitars,
go sell them.
Some weeks were amazing.
in some weeks the house is getting smashed up by everyone you know what i mean it's like they were it was
very northern it was very like a lot of emotions flying around a lot of arguments flying around but
ultimately like a lot of kind of unity flying around i always remember kind of like trying to relinquish
that turbulence when i went off to london to try and be my own interesting interesting
person you know i mean i think can we can we sit in that moment yeah of the of the of the
of that turbulence.
Yeah.
Because I think one thing that's interesting to a lot of people
is this notion of,
you know what,
my life was turbulent,
but everyone else's wasn't.
And every single person that sits there,
dumb,
everyone recalls the turbulence.
Yeah.
Of childhood.
It's crazy.
You know,
I think this is life.
When you're a kid,
you are so open and so susceptible.
You know,
and I think that's why we remember pain
or beauty more than ever from childhood.
Interesting.
So then on that note?
Yes.
What was the most painful moment in your childhood?
We went bankrupt and a business went into liquidation.
Okay.
With my family, right?
There was a lot of arguments.
There was a lot of kind of violence like from all angles, right?
but we were together, no matter what.
At that part, my mum took us away,
and my dad had to figure it out,
but everyone was fighting and screaming,
and I remember feeling completely divided,
kind of like, you know,
when you're in the middle of a battlefield
and your army's scattered,
I can hate them, and they can hate me,
but we're together, and we were completely divided,
and I remember, like, been really freaked out,
but almost, like, confused for my dad
and scared for me.
my dad and I don't know I think like I'm not really I don't really I don't really speak about
that moment how how does that moment of isolation when you were such a close-knit family
you were a team yeah right now you feel isolated how do you think that has shaped the
man that you've become I really craved community I think the whole basis
of who I am has strived around making people feel safe in a space to potentially make me feel safe.
I really think the fundamental sense of my world building and my strive for community came
from my grandfather and I've never said that. He was such a lover of culture and
and chose life in every regard.
Like, he's in the back of my head
when I'm like, oh, should I do this?
Nauty or good?
You know what I mean?
He's like, he was like, he was just,
he was a legend.
And I think like, I loved belonging somewhere.
Yes.
And I did from like 2, 12, 13.
You know what I mean?
Because I was like the prince of this little dynasty,
you know what I mean?
And in the guitar shops and a note.
off of England and I was like, whoa, this is cool.
Yes.
And then I wanted to play him.
I didn't want to sell him.
I wanted to play him.
Yeah.
And it was weird because I was almost like dissuaded from that.
Because obviously I think my dad and my grandad knew how hard it was to make music of any kind.
People were coming in to the shop, getting signed, buying guitars and coming back a year later and selling him.
So they were always like, nah, don't go into music.
It's too, yeah.
It's too.
You know what I'm saying?
You're just like, don't do that.
Yeah. But I could see the love, though, of that family, that environment.
Because I almost think back to, I grew up in New York, and I remember the family and seeing uncles and just, you know, it was like, I'm a part of, I'm a part of something.
Completely.
I'm a part of something.
That means something.
Oh, yeah.
It was kind of, it was sick.
It was, it was rock and roll, you know.
It was like, honestly, it's all I've ever really known is rock.
because I was on a shop counter.
Yeah.
Smell as a vintage guitar and guitar strings and pickups and metal and soldering irons and wires and beer that's been on a carpet for two weeks is like my smell of home.
You know what I mean?
It's the thing, you know when you get a smell?
Yes.
It's like damp beer carpet and metal from guitar strings is like what?
That's what associates me with home.
You should do a cologne.
Yeah, I fully should.
It's smell like shit, but I mean, I love it.
I'm down, you know.
I think it's so funny every time, like, kind of,
we buy a vintage guitar or I smell guitars
because it kind of makes me feel like I'm 10 again.
Yes.
So what was school like for you during that time?
Now, that is where things juxtaposed for me.
me because at school, I was having loved or hated.
I was like very like, he's out control.
He's wild, he's dangerous.
He's very opinionated.
To be honest, I was exactly the same as I am now.
I loved people.
I wanted to believe in people.
I wanted to meet people.
I wanted to do things.
I like marveled at the world.
I've always been a puppy.
You know what I mean?
Sure.
And I think in the north, people,
but some people don't like that.
It's quite a British thing.
It's very funny when you first go to America ride.
You've got a nice car in America.
Everyone's like, wow, you've got a nice car.
If you've got a nice car, he'll look here.
You know what I'm saying?
Yeah.
And I think that's a very British thing.
And that's just our culture.
And I think when you kind of, someone is fundamentally fizzing with energy,
some people want to dim that.
When people look at me, they already form an opinion.
because I'm so full of energy.
People either think it's fake
or that I am
that I'm going to be completely out of control
and they're not going to like me
or I'm going to be a dick.
I've always just been like,
Marmite, you love it or you don't.
In school, being 8, 12, 13, whatever,
how did people try to dim your life?
I would be really experimental.
I was like always,
too loud or I would make an argument
I was like I don't know if that's right
I would always be like
sir why are you doing that blah blah blah
and I remember own clothes day came around
for a specific event
and I was so excited
I'd be Navar Ruddy on
and I've been watching Kirk Cabain
like in the shop
so it eyeliner on
I put my hair down
Navarrauddy on skin tight jeans
and I paint my nails
and I remember a teacher in front of the whole class
was like boys don't wear nail varnish
and I was like
where the hell did that come from?
And you're like, 11.
And I always remember, like,
been either too loud or too excited or too confident
or too quiet or too,
always too something instead of just been like,
the vibe, you know.
But then I met a drama teacher
who I fell in love with
because I think when I was a young kid like that,
and people try and dim you want to kick back
and you start to rebel
and you start to get naughty
because you have no outlet
and you kind of try to look to someone
and I start to kind of like
go the wrong way
I remember one teacher came
Mr Vaget
came into my life
and was just like
you've got so much energy
and you've got this fizzing
you're this
you come with this pan
you're a pan right
and you've got this
you're bubbling
and you're simmering
and your lids blowing off
It's like if you learn to harness that, use it.
Wow.
And use it as a superpower.
And when people don't like it,
realize that the power is within yourself
to give them a response or to give them pain
or to give them their point, any sense of validation,
like, that's when you're going to win.
That's brilliant.
And I remember that.
I remember being like, I remember that.
hitting me in them forehead yeah and and going like oh and i found like drama as a subject or music
or history was something that i could i really i could could delve into because of that subject i was
like what do i like and where do i want to put this mad thing what i've got that i don't know why i've
got it where can i channel what can i channel this into did did you have an idea professionally at
that point what direction you wanted to go where you were I always knew that I wanted to like
be on stage in any capacity even if that was like a teacher or something or like you know I mean or like
obviously like world rock star was top of the list or like movie star or some shit but like
like I don't know like speaking or performing in any regard was was always kind of what made me
happy what let you up yeah just kind of like let me switch it on i don't know you know i'm curious
about though is that you it seems like that particular teacher changed your life yeah yeah right so
you had teachers who supported you teachers who didn't yes how did your peers respond to you know
how did the other kids respond to you because i could imagine that you know you're describing what
don't castor was like yeah you probably you probably don't look like no yeah the typical
Completely.
Right.
You were special.
Yeah.
Right.
You were extraordinary.
Yeah.
You know?
But maybe not everyone looked at you.
Like you were extraordinary.
That's, it was such a bubble.
You know, I think Doncaster is like, I mean, it's a lot better now.
But like, when I grew up, it was like, you kind of go into town.
And people were like, what?
Is he wearing or why is he like that?
You know what I mean?
I was like, it was pretty intense.
They had like goth boots on and eyeliner at like.
My mum said she took me down
In the town one day
And people are, how can you let your son dress like that?
You know what I mean?
I was like very
I was like expressing myself
And a lot of people would be like
I was just like I used to get like puff
Weirdo
All that shit in town
You know what I mean?
All those like crazy words
That was very
Abnormal
To like someone formulating a personality
Yes
You know
And I think
kind of looking back on it, it was rough being the subject of that.
Or even kind of like, you've got the, you've got the, the, I call them like the evil.
You've got like someone's like throwing a bomb at you, right, when someone does that.
But you've also got the passive things, like, and I would say this to anyone a little bit older
who is kind of talking to a, you.
young person formulating an identity.
Passive digs,
because you don't understand someone yet,
hurt sometimes even more,
because that is you showing your hand to me.
And as a young person,
I'm kind of going to formulate an answer.
This is such an important point,
because what I would relate this to,
I'll use my lived experience on this,
is that I'll relate it to racism.
Yeah.
And how I'll relate it is that there's a,
debate around racism where is it better to have someone who's overtly racist.
So to basically say you're excluded because you're black, for example, or is it better to have
someone smile at you and just not serve you, right?
That's passive.
And I always say the overt is much better because the passive, what it does is it leaves
you questioning yourself, second-guessing.
Completely.
It destroy, it's a soul-destrored.
Troyer. And to your point, I'm so glad that you brought this up, is that this is how many people
are marginalized, passively. Completely. My best mate, Isaac, like my best mate in the world, like,
North London Jewish boy, he talks that to me about, talks about this to me all the time.
Exactly. Like, when someone's passively anti-Semitic to me, the rest of the table allows it to
happen. Yes. If someone else around the table speaks out, the rest of the table, you know, the rest of the
can be like, you're overreacting.
This is the problem with the world.
This is the problem with the new generation.
It's such a crazy argument to formulate in a crazy conversation to have that like,
passive oppression is so much more damaging to someone's internal organs and kind of, like, internal structure.
So then what I need to know is how at young, you're a young man,
how do you not allow that to destroy your soul?
The biggest thing I would say, all your power, all your energy, all your individuality is inside you.
You choose to give someone that power.
And this is something I learned later in life.
So like, I would have loved someone to say this to me younger.
Someone targeting you will be for a facet of different reasons.
if you allow them to take your beauty, your power,
your identity away from you,
that is the biggest trauma you can do to yourself.
Like, I think it's the biggest thing I've learned
because I get called from a pig to a dog every day.
I've read the internet, like, that's what I would say to my younger self
and that's what I would say to a young person.
It's not easy.
It's so hard.
It's not.
But you're saying that as a 10-year-old, 11-year-old,
that that's how you operated because at that age,
I feel like, even myself,
like I felt like I was strong in identity
relative to other people my age,
but I still swayed.
You know, if the crowd was saying, do this.
Oh, I was a 10-year-old, yeah,
I was like, the hardest thing about being a young man,
and especially at the minute,
if you don't adhere to the trend,
you're a weirdo, you're a freak,
you kind of, you're isolated.
it makes us kind of terrified to formulate any personality at all.
I feel like what's so strange around kind of young men at the minute
is the glamorization of the inability to fail.
You can't fail, you can't fall off your bike.
You can't, like, I don't know, like drop plates in the kitchen.
You can't cry.
You can't, like, it's like, don't fail, don't fail, don't fail.
Succeed, succeed, succeed.
And I can genuinely say that like failure is the only way you will build up a personality in any sort of education within yourself in the world.
Like don't be afraid to fail.
I fail 10 times a day.
And I succeed once a week.
Everyone's snapshot of their life that they consume is perfect.
And the road to that success and that happiness is clipped together and the journey of it is never told.
Right.
When you consume it, you know, I mean.
And then when you eventually do fail, then what happens is the humiliation is 10 times or 100 times.
That's what I'm saying.
You know, or, you know, and what is so incredibly sad is that whenever I see a violence happening with youth and it's really, it's a femicide, right, where you're seeing a young boy or young man taking the life of a young woman.
you'll find out inevitably that typically it's some type of rejection that happened.
Yeah.
He was rejected.
She denied him.
She said, I'm no longer going to see you.
And he didn't know how to take the rejection.
No.
Because to your point.
Because, yeah, you can't fail.
Can't fail.
I'm really glad we're talking about this at the minute because I think it's kind of taken me 27 years to fundamentally really kind of like own my masculinity.
Like I'm in a period of my life of 27 where I'm like,
And that's such a crazy thing to say in 2025.
Yes.
Isn't it?
It's such a ridiculed thing to say.
I think we have such a duty at the minute to really talk about that.
It makes me really scared for young men at the minute because they have nowhere to turn to.
You know what I'm saying?
There's such a big anti-men.
Something happening on the internet and for a 12-year-old boy to see that.
It's like, ooh, who can I be?
And then you end up finding out.
in someone like Andrew Tate and then you turn towards that.
If you take someone at my sister's generation,
who was 18 now,
she is,
her and her friends are so dope
because they see nothing,
they just see humans.
And they like, they love and they're like,
yeah, man, what you're talking about?
Like, I was fully just like,
you kind of like want to tread on eggshells
and I kind of like, what are you talking about?
We're like, we're vibing.
They don't see, like, my sister's generation in school,
I see all the friends,
they don't see, they don't see gender,
they don't see sexuality,
they don't see color,
they don't see nothing.
And they're just like, yeah, man.
But on the generation under them, there's something darker happening.
I think because of the internet and there's so many,
there's so much like marginalisation and segregation, et cetera, et cetera.
We have to be careful with everyone because it feels like it's going the other way,
especially with young males at the minute.
Watching the thing on Garif Southgate, you know, his speech, the England manager.
Yes.
And it's so interesting because you can tell, as an, I don't know how all these,
45 year old man, he's terrified to talk about masculinity.
And that is a very scary thing.
Even me, now I'm going, okay, how do I navigate this?
Because I might, this might go online and I may get cancelled for this.
Because as Youngwood, I am for whatever you are.
I've been for if you're non-binary, if you're a trans, if you're a woman, if you're a man,
if you, whatever you are.
Right.
Like that's younger.
But when I kind of go to the subject of masculinity, I'm like, shit.
And it's interesting because like kind of when I talk about this to all my friends,
it's almost like we all tread on eggshells.
And I always get really concerned for my little cousin who's 12.
And he's a legend.
And he likes go-kart and he likes football and he likes blah, blah, blah.
And I really get worried about like, okay, who is he looking at on the internet?
Because if you take this kind of anti-man thing that's going on,
which is justified, like take that out of my generation,
or my dad or my granddad or my great-granddad.
dad find out this 12 year old boy been exposed to this kind of thing going like oh oh I can't be
that when I'm formulating my ideas but I like this and then he's on the internet every day and then
he finds again like the far right and this kind of position of power like it's really dangerous
because what my point is people like me and people like you are afraid to go I'm masculine
you can listen to me and you can and the biggest part like
like part of masculinity is island in a boxing gym, right, with boxers.
I walk in, I love it, I'm full of testosterone, I'm aggressive, I'm about to box,
I like boxing.
Youngblood likes boxing.
Yesterday I'm wearing a skirt on stage.
So this morning I'm in a boxing gym, you know what I mean?
And the biggest beautiful kind of thing I learned from that is, like, I love the masculinity
and respect in my gym because I'm like, everyone goes around each other and says hello to each other.
And that is the problem.
You've got this on this side.
You've got this on this side.
In every regard at the minute,
like us liberals, if you want,
are afraid to take the gloves off
and the gloves need to come off.
Even what's happening with like,
like, everything regarding like trans people
in America right now,
like the far right are taking the gloves off.
Yeah. I mean, trans rights in the UK as well.
Exactly. Everywhere.
I'm just saying, but like stemming from
that.
over there as well, where I see, like, such a staple of womanhood, like, Hunter Schaefer,
bring out a passport that says mail on it.
I'm like, like, for my generation, such a staple of, like, a modern womanhood.
And I'm like, oh, my God, amazing.
It's like, but, but it, like, with us all at the minute, like, people are afraid
to talk out of fear of being cancelled.
If you are in the, if you're, like, if you're liberal, if you're, like,
center-leaning left or if you left, it's like, the gloves are.
off on the right and we've got to talk about it and we've got to be
unafraid to be challenged or be like make mistakes on cameras like this make
mistakes on podcast like say your opinion because we need to kind of we need to
give something back as well you know what I mean we do you know it's so wild
about what you said Dom you just articulated something that I haven't been able to but
it's been in my mind oh so cool yeah it was brilliant and I'm trying to articulate
it's some clear I'm just like trying to get there as well see
Because you were like, I can see, you were like, I want,
to that point of wanting to articulate it is that
this is something that personally I deal with every day
is I want to quote unquote say the right thing.
Yeah.
Right, because you don't want to be canceled.
You don't want to be alienated.
But you do want to express yourself.
Completely.
You know, and it's so frustrating
because I think that so many of us,
what we're doing is we're doing a disservice to the younger boys.
That's what I'm saying.
And that is it.
And if we're not doing it because we're too scared,
they're going to find someone who isn't scared
who is preaching darkness and a step backward in the world.
Yes.
As a people, we do this all day and we pick up information
and our opinions are based on what we consume.
If that's you reading books,
if that's if you're having conversations in the pub,
if you're watching things on Instagram,
you have to like you we learn with sponges at the minute on on hyper speed yes so i just think anyone
in a position of power of platform or of not of anything have to talk and you have to conversate but this is
interesting because there are many artists and i'll say just people who have massive platforms but i'll say
artists who say you know what it's not my role or it's not my responsibility it completely
is. Some artists don't have, I don't want to get political, I don't want to get blah, blah, blah,
I don't want to get like, it's like, it's time more than ever to speak and it's time more than
ever to want to learn publicly. I'm like, someone asked me a question. I'm like, I don't know
what you're talking about. Teach me about it. I said something maybe a little bit wrong.
Teach me about it. Either, that's the opposite to cancel culture. I think it's because everything's
moving so quickly. I didn't mean to miss that. I misrepresented that. I might have said that a little
bit wrong educate me on it do that blah blah blah on it instead of like shutting down and not saying
anything at all right because that is how again someone who's not afraid to take the gloves off
and throw a couple punches will make the world the darker place well said you know what i mean
this is what i wanted you here but i buzz it you know what i mean like speak up like and i think to be
honest like i have been canceled for kind of uh shit that twitter has made up and then gone viral and
I'm still here, you know what I mean?
So it's fine.
I think like the internet is such a wild west.
But your opinion can also change and it can evolve and it can adapt and it can blah, blah, blah,
because that's what happens with time.
Right, right.
You know, this is why I am so happy that, you know, my son counts you as someone who he admires.
Oh, vibing well.
Yeah.
That means a lot to me.
You talk a lot about culture, politics, society, right?
And you've infused that in your music clearly.
But when you were a young man, who did you look up to?
Who did you aspire to be like?
I loved Bowie.
I loved Beckham.
I loved people who were so themselves.
I loved Eminem.
I loved Lady Gaga.
I love David Hay.
I remember I was like literally just like boxer footballer alien space musician bowie alien space musician gar gar gar like crazy rapper m and m like i just loved anyone who was like fundamentally themselves and like i love caricatures okay i love to be if i could freddie mercury if i could draw you i love you do you what i mean like dr dr dr dr day i was like whoa like i really like she like were like like like i remember like i remember but i
I remember finding like Cyprusil NWA,
because I grew up in a rock music, like family,
but when you find a genre of music on your own,
that's when you're like, Randah just doesn't gay.
I'm like, no, it's the same.
It's the same thing, we're from a different mindset.
Right.
And he's like, no, man, you got to pick the guitars up.
And I'm like, no, man.
And then I'm like, show him the Beastie Boys.
And it's like got guitars and hip-hop beats.
And he's like, oh, I kind of get that.
And then, like, I'm vibing.
You know what I mean?
So I was like, I think anyone,
that was just like defiant or a caricature, I would just kind of gravitate.
Gravitated.
You know, specifically because you're talking about Eminem, Dr. Dre, we've got to talk about
the music career.
Yes.
Because this was the part that did blow my mind because when I listened to your music now,
right, so I've gone through the catalog.
He was like, man, this guy has got like rock.
He's got hip-hop.
Like, he has these elements.
So I could see.
So from what I understand, you were not.
signed here
but by
Interscope
Records
which Interscope
I mean
I'm a hip hop head
Yeah man
So Interscope is
Top of the Food chain
This blew my mind
And I can tell you this story
It's so mad this story
I love the clash
Okay
Because to me
Strummer was mixing
dub music
And punk music
That's why I loved it
And I was like
Oh well then I can do
Hipop and I can do
Punk music together
And I could
blend it like that
in a new way.
Okay.
No one gave a fucking UK.
No one even said we were bad.
Just no one cared.
Like, you know what I mean?
I got a manager, Thomas, he's still a manager now.
It was epic.
He found me like an open mic night.
No one cared.
No one wanted to sign us.
No one wanted to write about us.
But we were getting a little bit of heat in the Netherlands.
Okay.
Weird, right?
My manager's Danish.
So he had some old mate in Holland
who got me on the radio.
and that allowed us to sell out like 100-seater venue
in Amsterdam.
But then someone in America,
a guy called Grant Owens,
heard,
was listening to this Dutch radio station
because he's like this tastemaker in L.A.
Because it was a song called King Charles,
which was about Brexit.
Do you remember that Netflix show The Get Down?
Yeah, yeah, yeah.
The Bas Lerman thing about the birth of hip-hop.
I was like, what, I was obsessed with that,
And it was like this breakbeat.
It was like,
and I was like, whoa.
And then they started voiceover and over it.
So I kept rewinding this three second breakbeat.
I started doing this like weird rap flow about Brexit.
And then I put a guitar over it.
And it was like on Dutch radio.
And this guy was like, this just sounds mental.
Right.
So this guy goes, I want you to come to L.A.
And play this night called We Found New Music at the Bardo in Hollywood.
Thomas was like right.
I'm going to pay for you to go to New York.
Why don't you go and write in New York, a little treat,
and then we'll go do a showcase in LA.
So let's just like...
Give it a trap.
Let's just...
I don't know.
You know what I mean?
So go to New York, and I take me mate.
It was an assistant to deck.
He's Irish called Emmett Power.
Right?
And he can sell anything to anyone.
All right.
Right.
Like, you want to get into a club?
Emmett will get you in.
You want to get into a party?
Emmett will get you in.
So I'm like, in like, like, the Universal Building near Central Park.
Me and Emmett formulate a plant, I'm like, right.
you're going to pretend to be my drummer
and you're going to ride the elevator all day
and you're going to just talk shit about this new act called Youngblood.
Right, so he's in an elevator in New York, Universal Blum's like,
yo, Jesus, you got to hear this new act, young blood,
he's like blowing up outside the UK.
Kids are going crazy in Europe.
And then like these young A&R's going like, oh yeah, cool, man.
Typical major label sale.
Chat, chat, chat, chat, chat, chat, chat.
The whole building's found out about it.
Then News has made its way to West Coast.
Warner, Republic, Sony, X, Y, Zed are talking about it.
We fly my band out.
Thomas at the showcase goes, right,
there's every major record label executive on the front row.
Don't fuck it up.
And I'm just like, go straight to the toilet, spew my guts out.
Do you really?
Oh, yeah, we're literally like, me, my drummer and my guitar player
are living in a two-bedroom flat and clap himself.
There's got live wires on the wall.
We stinker down.
I'm like, this is the moment.
And I was just shitting myself.
Didn't know if I could all it together.
I'm a guitar player, best friend in the world.
Scottish.
Just goes, fuck him.
Gigs on.
I'm like, go out, go mental, nail the showcase.
And then, yeah, we got signed to it and it's got reckless.
Three days later.
But it all came from us talking shit in an elevator.
In New York.
In New York.
That is an epic story.
It's a wild story.
Epic story.
And it just goes.
to show right the power of just like belief in self believe in self and and and friendship and
community you know i mean never give up because you never know when the smallest situation
can turn into a moment that defines you yes yes like never like that's the problem with the
world at the minute we never we're never present the love of your life could walk by the person
you're going to start the most revolutionary business in the world could walk by your best friend
for the next 50 years the godfather of your child the godmother of your child could walk and pass
you by and you are completely unaware of it because you're just thinking about the future or you think
about this yeah you also that that story too i think is a beautiful example of control everything that
you can right you know your friend is talking in the elevator you know what i mean you're like
Your talent, obviously, you control everything you can.
But then other things...
Nah, you got to let it go.
You got to let it go.
Your boy from Scotland was just like, yeah.
Yeah, and that's it, man.
It's literally just like, some of it is written and some of it is not.
And so...
And you've got to write a little bit to get to the bit that has been written.
Yes.
You know what I mean?
If you've got a page, right, the bottom of it's written, you've got to fill in the first bit.
Yes, yes.
So from that, can you talk about the deal?
Yeah, it was always going to be in a scope for me
because it's fundamental values.
Defiance, community.
Yeah.
Trent Reznor.
Eminem Dre.
All of Death Row.
Literally, all of that shit was just like,
it was like rock and hip-hop collided.
Yeah.
And it was just like, this is just hot.
home and they went, we just want to do what you want to do.
I don't necessarily think I have a hit song yet.
To this day?
Not really.
I've never had a song in the top ten, ever.
But is that, how do you qualify a hit though?
For me, that's what I'm saying.
For me, I've never had a song in the top ten.
But I always wanted to lead with community and what does the music mean?
What conversation does it start?
How does it bring people together?
But an Interscope got that.
You know what I mean?
I believe maybe if I would have been signed to Epic,
if I didn't have three hits later, I would have been dropped.
Not everything is about money.
No.
But I think it's important, though, because how big was the deal?
Because you said you basically left with 60 cents.
60 quid, and it came back with a $1.2 million record deal.
We have to stop for a second, though.
I remember 13 months of playing.
East London
The Old Blue Last
Downstairs
The Lock Tavern in Camden
Everyone was like
Nah
Every meeting I went for
Rock music
It's not really happening
At the minute
That's what everyone was saying
They're like
It's a little bit like the Arctic monkeys
It's a little bit like this
Oh I don't know
He's a bit energetic
I don't think that's going to get on Radio 1
I remember people saying that to me
And um
to then go to America
and someone go like,
we love this energy.
We love this defiance.
We love this because it's different.
You know what it sounds like?
It sounds like you and your drama teacher all over again.
Yeah, it does.
That's what I'm saying.
It's another bit in my life where Neil Jackson and John Janet go like,
we love it.
I think any artist right now,
your individuality is your best tool you've got.
In the past, it would try and make everyone cleaner
to fit to TV, to fit to radio.
That doesn't matter.
There's no rules.
Now, as opposed to when I'm signing, the labels aren't got a clue what's working.
Because there's no formula.
Individuality is the thing that's celebrated.
Even if your individuality is to be the most squeaky, clean, normal thing,
or it's to walk around with a pan on your head.
If you've got 10,000 people banging a pan on your head with you, it's a culture.
Right, right.
You know what I mean? That's just it.
So you have the deal.
I have the deal.
You come back.
What's the mindset like?
I remember what it was.
I was like, send me on tour.
I want to go everywhere because young people were my priority at the time.
I was writing songs about my mates or what we were talking about.
It was the tail end of Brexit.
I felt unheard.
So I had this anger and I was like, I want to get on the road.
I want to get on the right, like, club nights in Berlin and Poland.
And I want to learn about young people in Slovakia and Poland and Australia.
and Dallas, not just London.
And it was like, how do I relate to a 19-year-old person in Detroit
or in Madrid?
That's what was my priority from the beginning.
And that's when I figured it out.
Okay.
I started talking to people on Instagram, on stories.
And people started to, I remember, I got 100 views for my story.
I got 100 views.
Whoa, whoa, whoa, whoa.
kept doing it turned into a thousand turning to 10,000, turning to my formula, I was like, I would
meet people and I would showcase them and then I got my black heart tattoos and then they would
get black heart tattoos and I would just post it. I was like, this is what I have a problem with
the world. Do you agree? And they would inform your art, I would imagine. Categorically inform my art.
Every story I would hear would inform my art and would inform
my dialogue in interviews, in podcasts,
in, because I was almost speaking
on behalf of the things I'd learned from other people.
Yes.
It's epic.
Yes.
And that was amazing.
But then also at this point in my life,
now I've got to written this new album,
I almost had to go back to 19-year-old.
I need to write for myself
because the past two albums were about,
others. And when I was writing about others, I started to get a little bit more lost to
am I now. You know, and I felt like Youngwood almost became a mouthpiece that needed to evolve.
Okay. And is it true that, and I don't know if this was incorrect or correct in the research,
is that when you were creating your festival, the initial idea was that would almost be the
death of Youngblood, if you will. My second album came out and it went number one. Well, commercial
success, right?
and the album that is about to come out of just written
was my next
artistic instinct
I started writing that then
2021
this album I'm about to put out
I was like nearly four years old
but I was dissuaded from the album
because we'd had commercial success
the album about to put out is wild
nine minute songs
complete explosion of colour
one through line concept record
and the label at the time I'm like
oh no no no no no no
Let's ride that commercial wave.
And I'm like, well, that's not Youngblood.
Youngblood was always about being like true and wild.
And that's why we got the number one in the first place.
No, no, no, no, yeah, yeah, yeah.
Let's keep on this wave.
And I listened to others.
And I wrote an album called Youngblood, which is so crazy.
The most lost I've ever been is my self-titled album.
My third album.
And I started to write it from a perspective of what would Youngblood say?
as the character that you know
as opposed to
what would Youngblood say at this moment
in his life.
Okay, I follow you.
And after the album came out,
I was in a hotel room in New York.
New York always comes back
and kind of realizing
kind of these weird epiphanies.
I was at top floor
of the Ace Hotel in New York.
It'd gone number one in seven countries
and the reviews came in
and some people said I'd compromise
and I was like, you're fucking right.
There were great songs on it,
but I'd almost written an album
about what they'd,
caricature of what you know young bud is would say okay and i called everyone and i was like i need a minute
because it was album tour album tour covid album tour album tour album tour you know i mean it was like
a whirlwind and i was like i need to have some space to figure out what it was because i think
with me i've been such a polarizing figure people love me and people don't and i didn't really realize
until I stopped how much of an effect
that has had on me
because I would read everything
because I did my own social media
it was always me
So you were on it?
I was on it
You were reading all the comments
I own social media I've always done
Still due to this day
Right
I felt like I have too much
A responsibility to a community that I've built
I need to
I need to
And it became a bit of an addiction
And I was like I need to be on this
But I would start to read things
About myself
I didn't even know
was insecure about.
Could you give us a few examples?
I really struggle with my body.
I always have.
I was always,
I had a little,
I was a little bit chubby.
And people would say this shit in the comments.
And that led me to kind of go down
a real hatred of my own body.
And then a questioning of inauthenticity,
almost the same,
it dragged up all the shit from school.
He's too much.
They can't be real.
His accent's fake.
He's da-da-da-da.
and that people would formulate these narratives on the internet
and I would read it all and I would read it all
and I became addicted to reading it all.
This self-destructive, weird shit
that I would kind of go down and read it and read it and read it and read it and read it
and read it and read it.
And I needed to take a break from it.
So I was like, I am not well.
I am drinking a lot.
I am eating myself.
I am things I was doing after I was eating.
I'm like, I'm really like, oh shit.
I'm not.
Right right now.
Yeah.
I mean, just, and there's a line, you tell them to stop.
But what were you doing after eating?
You can imagine what I was doing after eating.
You know what I mean?
I was fully just eating myself until I was sick, basically.
And I was, I was like, I was, I was just going on mad binges
and then eating nothing for four days.
And then like, like, you know what I mean?
Like eating myself until I was sick and drinking myself for, for days.
And just trying to find distraction anyway.
Okay.
You know what I mean?
I was literally just being like,
I can't face this shit.
Let me go and indulge in any regard.
You know what I mean?
And I think I didn't even know how bad it was
until I stopped.
And I was just like,
I would have these kind of intellectual people
ridicule what I was doing
when all I was doing was creating from my gut.
And it's really hard when
kind of people try and intellectualize someone's soul.
It's hard to intellectualize art
because that's just someone's expression.
Sure.
You kind of try and put a meaning behind Picasso.
Maybe Picasso was just scratching his ass and painted that.
You know what I mean?
Right.
Like we're trying to intellectualize it all.
Right.
But, you know what I mean?
Maybe he was like, this means this and this means that,
but maybe it didn't.
It was just an explosion of the soul.
Sure.
And I had to really go inside myself
and find meaning.
in and again
not allow
myself to give them that power
right but when you think about these battles
we had Gabor Mata on who is really the godfather
of trauma and it talks about how what
trauma does to us is
it reshapes how we then view the world
and when we internalize the trauma
it shows up in our body and
negative behavior so when you think
about this trauma that's happening to you. How does it impact you physically? Has it impact you mentally?
It was, it was, as a bastard, I was like, I won't talk to my mom. I want to talk to my girlfriend.
I want to talk to my sisters. I was like blaming everything and everyone. You know, I think like
you blame the world. I think when you internalize everything, that's why it's, again, such an
important thing to talk about. If you don't talk,
the poison festers and you start to blame everything around you.
That's not the person we want to be.
That's not the person we are.
I think with it all, I had to fall in love with myself again.
So I had to kind of, I had to be alone.
I've been saying like I don't want to be alone
in my whole idea of my fundamentals.
And I really had to be alone and be like, what do I want?
What do I want? What do I need?
And now that's where the festival came.
And that's where the new album came from.
I was pissed off with festivals anyway.
I thought they were taking the piss out of people.
You know what I mean?
When I'd like go to Coachella.
Right.
Because what?
The ticket prices.
Yeah.
Ticket prices or just like fundamentals.
It became a thing of absolute privilege.
Like 250 for a festival ticket.
1.25 to 150 for a gig ticket.
Right.
I was like, okay, I'm pissed off at that anyway.
I want to get everyone together.
So let's start a festival.
Sick.
Right.
And I see what Bloodfest did.
was it really made me realize where this whole thing's are.
It made me kind of go like, oh, this has become way bigger
than the idea that I think this is.
And this young blood is different to you.
It's different to you.
It's different to you.
It's different to you.
It's different to you under this whole fundamental umbrella of individuality and love.
But it means something different to every single one of the 35,000 people who are here right now.
It made me fall in love with the name again.
because it became hours, not this thing that is placed upon me.
It became an idea in personified form.
Right.
And what I see with it is that in complete diversity,
in thought, in representation, in lived experience,
but the one commonality, young blood.
Exactly.
Exactly.
Yeah.
And it was bringing it back to the Garif Southgate thing again.
And he said that.
He was like, as England manager, right, I'm bringing in players who are all born in England.
But they have different backgrounds.
They have different religions.
They have different cultures.
Yes.
What is our common goal as a team?
Declan Rice and Saka is the same England team.
Who are we?
Together.
Yes.
And that is the question for the world right now.
Now, that is the question for everyone in our beautiful colours in our beautiful, different,
mad perspectives that might disagree with each other.
We need to ask each other, who are we as a collective, as a human race?
Because we're failing it at the minute.
We are so divided and with no compromise or no will to compromise or no will to hear each other
or actually see each other.
who are we we've all got a heartbeat we all take a piss right we are human beings and i think again
the idea when i saw blood fest and everyone in different iterations i'm like this is so sick because to me
it's rock music but to everyone else it's a world it's a world but it's it's it's rock music i think
with the i don't want to say unique message because there's so many incredible rocks yeah with
great messages but i think that it's you know i think you do a superb job in delivering
your traumas.
Yeah.
You know,
and allowing people
to connect with that
because I have read,
just like you,
I've read the comments.
Yeah.
And there's a wide range
of comments,
but the overwhelming
amount of the comments
on all of your videos,
all your music is
how people connect
to your lived experience.
Completely there.
One song I have to talk about.
Yeah.
You already know a song
I'll probably talk about
is hatred.
Yeah.
You know,
that was,
that one hit me.
Yeah, that was wild.
And what I'd like to know is,
one is, if you could talk a little bit about the song,
but how do you have the strength
and almost, I'll say, confidence.
Because, you know, we're talking about
this conversation of masculinity,
what to say, what not to say.
I can imagine the moments before releasing that
or even deciding to write that,
you must have been second-guessing.
I remember I made that something in New Orleans.
Okay, one of my favorite places?
Yeah, amazing.
It was such a crazy experience to write hey.
Because obviously the song is about me being molested in a doctor's surgery while my mom was in the room because I was behind a curtain.
Right?
And I remember Paul, when we were writing, it was a little bit like this.
And I never told anyone, I didn't even tell my mom.
You know, I didn't even know.
I didn't even know.
what it was when it happened and just been like,
what is this?
I was like seven years old.
I didn't even know what it was.
And we were talking about this thing
about kind of masculinity.
And does that make me less masculine
to have gone through something like that?
And by writing that song
and by gutting myself,
it was kind of probably one of the most courageous
things I've ever done.
And I say absolutely not.
I think it makes me more of a man.
And I think weakness
To show weakness and to show vulnerability
and to ask for help is the most
strong thing you can do.
You know, I think like it could have gone two ways.
It could have gone, it could have defied my life.
Biggest killer for under 50,
but men under 50 is suicide in this country
because we feel like we can't talk about it
because there's such as a staple, don't be emotional,
don't get weak, don't talk about that, bury it,
bury it, especially in British culture as well.
Burry that shit, mine, don't want to talk about that.
I'm like looking for that experience.
I've kind of been able to paint with that.
Be able to get that out.
It was beating the internalised dark character sat next to me.
I think that's got like 10 million streams or 30 million streams or something like.
One of those 30 million people who's listened to that
might have found the strength to go,
that shit doesn't define me.
that shit doesn't make me less of something.
That shit actually makes me up who I am.
And that experience, I can find strength in that now
because it made me who I am.
Yeah, absolutely.
You know, I so appreciate you talking about it.
Yeah, I'm an open book.
I put that to you.
I'm down.
It's one of those where it firmly falls into this.
Really, it feels like the theme of this conversation is masculinity.
Yeah, it's weird.
I think it's very weird you've caught me there at this point in my life.
It's like at 27, you know, I think, like, I have been in such a journey
and kind of, like, arrived here at this place.
At this place, yeah.
At this kind of turning point, you know.
And we know 27, I mean, we have to talk about the 27-year as well.
You know, this is something that looms over so many, yeah, incredibly talented,
musicians at 27 we lost Hendricks yeah lost Amy Winehouse yeah you mentioned Kirk
obeying yeah 100% you know we lost all in that 27 were you aware of that entering your
27th year rigorically yeah and i think i think with it all that's like when you again such a staple
of youth young but was yes remember it is young but whatever you either die which was kind of
probably maybe on the cards
with the way I was drinking and eating
and doing whatever
and indulging
it's definitely like a possibility
you know if you ask me managers
and me mates
but it was wild
you either become a pastiche of yourself
where you do the same thing forever
and you become a staple of the 90s
or the 2000s or the 2010s or whatever
or you
reinvent
and you become reborn
and you change.
And I think that's what we're meant to do as humans.
You know what I mean?
I think that's why when you fall in love with someone,
you've got to fall in love with them 15 times in their life
because they're going to change.
Yeah.
Well, you know, I've been in the love space forever.
I've never heard that.
That's a great point.
You know what I mean?
Because the love of your life,
it's got to be the love of your life 10 times
because that person's going to change.
You can't hold on to the, you know,
can't hold on to the person that you met on the first day you met them when you're 80.
You know, I mean, you can look back on it and be like, oh, my God, I remember when I fell in
love with you.
But that person is going to probably be completely different.
She's gone on 79 years of adventures together.
Absolutely.
That's the reason why, you know, with love, it's so important to have that connection
of values.
Yeah.
Because your interests will change, but the values kind of leave you anchored.
And that's cool.
And that's literally it.
They're like everything I know about love, you know what I mean?
Look, we have a lot of reality TV stars on We Need to Talk,
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The poet specifically said, we are all artists.
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It made me click to the point where I realized that I wanted to create.
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And I learned from that date that, you know, the date isn't just about the other person.
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Can we talk about love?
Yeah, we can talk about love.
Yeah.
Yeah, you've had some, I'll say, notable,
Yes.
I have.
Girlfriends.
I have.
Yep.
But I'd love to talk about your identity.
Yeah.
You know?
How, at what point did you feel like you were firm in your identity and sexuality?
I think really when I came to London, you know, I think like I came to London at 15.
And I think I had loads of questions.
You know, I had loads like, I went on loads of adventures.
With me, I really felt about like, whatever it is, I'm into it.
But I couldn't really, no one really got that up north.
I was like, what?
Or then I was almost forced to be like, well, what are you?
Right.
What are you?
I'm like, I'm a viber.
You know what I mean?
Like, whatever you are, like, if I like you,
then I might fancy you or I might have sex for you.
I might, like, if we vibe out together,
then that's the way I see things.
that love human beings.
I love human beings.
I'm like,
whatever it is,
I'm down if it's a vibe.
Right.
And this year has been such a strange thing for me
because it's the first time
that probably the biggest love of my life
I've taken space from
and I've asked for space.
Last year,
I was really having problems with myself
and it was all a me problem.
And I think, I, her name's Jesse Joe, basically.
Probably know, Jessica Joe Stark.
She's probably the most incredible person I've ever met.
And she's my best friend.
And I feel so lucky to be in her orbit because I've got to talk this through with her.
And she understood.
And she needed a moment.
We talk every Sunday.
And, I mean, ultimately I think in my life, all roads lead to her
because I love her.
I never loved anything.
Like, I love her.
I love her as,
I don't know,
I love her as everything.
I love her as,
as if I'd love,
you know what I'm saying,
water,
I need it,
you know,
and I think,
I'd never experienced love like it
because when you can be
that honest
with another human being,
even in times
when we're not technically together.
Right.
I was like,
she's just insane.
So right here,
where you sit,
right here where I sit.
You're still in love with her?
Yeah.
So why not be with her?
I think at this moment in time I needed to build up a fundamental basis of a personality I was a shell.
I didn't know what I could love.
But do you fear?
Yes.
That when you're ready to go back, she may no longer be available?
I think that's the available.
I think that's the risk that I take.
We talk every Sunday.
and I look forward to every Sunday
and I get coffee out of the tea
we have coffee out of the tea cup
it's our thing
okay and
we communicate
okay
it's complicated
but it's our story
and I love her
yeah you know what's interesting about everything I got
you know what I mean
yeah it's like I think that
we live in a society
that likes to have a definition
for everything
categorically agree with you
the thing about it is right
we went to Cachella
together right chel's not my favorite place in the world i'm a donnie boy if i got england you know
i mean it's not really my vibe that she's a callie girl from malibu and she loves it and i was so
distracted by trying to go from place to place or meet person to person or network or do whatever
that i wanted to do it on my own and i'm like why do i not want to do it with her and now i look back
when i was like i should have just held her hand man because the memories of
I remember from that weekend
were getting ice cream
walking through the site with her
chilling out in the pool with her
it's all her
everything's her
but I've got to
I want to get myself right
I think that's
it's so easy to be like
it is easy to be like
well you love her so be together
I'm like
nah the timing was
we've got to figure the timing out
but I ain't letting it
but as long as we're communicating through it
As long as you're communicating.
It's our, that's our thing.
It is.
That's our thing.
And that might be like, my mom and dad met at 15.
Oh, wow.
And now they're still together.
And they've had the most like, again, turbulent, crazy domestically violent, probably
20s to 30s.
But now they're 55 and I've never been like teenagers.
Wow.
They figured it out.
And I don't know what's going to happen.
But I will love that girl until I die.
Right.
And if that ends up like, like, I would love it for one day to,
have loads of kids with her and vibe out
and do all the, like, whatever the fairy tale thing is.
But if that doesn't happen, that doesn't happen.
But that's why I got tattooed on my arm.
I was like, look at that.
She's there.
She's always there.
And people are you not scared if you don't,
if you don't get back together?
I'm like, nah, man, she's on my skin.
She's in the same way that she's inked into my heart.
You have to love yourself in order to love another fun,
like, and I didn't.
Yeah.
Do you today?
Do you love yourself today?
I think I love myself, yeah, a lot more.
I think I battle with a lot, but I've learned, again, I needed space to process it.
And I think kind of what's, I think, to give her a little bit of credit with Jesse Joe Wright.
I really think she needed a moment to kind of bask in her power a little bit.
I don't know, I can't speak for her, but I think, like, she's always been kind of like part of the Chrome Arts family or Youngbud's girlfriend or someone's friend when she is fucking awesome.
Right. I see exactly what you're saying.
You know what you're saying, I don't think is so unorthodox.
If you think about the whole notion of you put the oxygen mask on yourself first,
or you put it on the person next to you.
Completely.
So in a relationship, what that truly means is that, yes,
you need to have a sense of self-worth, high enough self-esteem.
You need to be enacting self-love first.
And kind of the fundamentals of been a rock star, get placed upon you.
And can you be a single, can you be a rock star in a relationship?
Right.
And then if you're a rock star, you need to either, you need to, you're either not in a relationship or you need to be with another rock star.
Yeah, it's like, it's like, it's like, it's like, again, these boundaries are placed upon you and you kind of like, how do I deal with this?
Is that how you, so I know the, I'm assuming before, Jesse, Halsey.
Yeah.
Right.
Was that because she's, you know, renowned music artists?
You are. Is that kind of how you two naturally gravitate?
Yeah, she was cool.
Yeah.
When we met at a time, you know.
And I would call to her.
And it was, it was, that was almost two things colliding.
That's why I don't think we worked out.
And it was epic.
But we were two, we weren't complete in each other.
And that was earlier in your career as well.
Yeah, I was so young.
So, 19.
Yeah.
No, I was, I was like 21, I think.
I can't remember how old I was.
I was young.
Do you believe in marriage?
Yeah.
You do?
Yeah.
Do you want to be married?
Yeah.
I think so.
I think like I'm a little bit of an old soul like that.
Okay.
So that was a shock to me?
Yeah, really.
I thought you were going to say,
ah, marriage, I don't really.
Nah, I'd love to get married.
Really?
I think so.
When the time is right, I think.
Okay.
It's weird.
I'm a little bit of it.
I'm a complete contradiction.
I really am.
That's why people don't know how gauge me
because on the one hand I'm like, yeah, and whatever.
And on the other hand, I like, I am quite traditional
in terms of marriage.
I would love to do that.
So I'm sure you want to have little ones as well on your time.
Loads, I want loads of little fuckers.
Honestly, right, stop.
Honestly, I'm going to be such a mad darn right, right?
Stop picking on your sister.
I've got to go on stage now, see you after.
Or come on stage with me.
Oh, yeah, get up on there.
But not till songs three.
I know you're gonna steal the limelight.
Yep, yep.
All right, I love it.
I want to get into some of the things that I saw in the comments.
Yes.
All right.
I want to have you address.
Yeah, I love that.
Some of the controversies, negatives, right?
One is around your upbringing.
Yes.
I see this happen.
Completely.
All the time.
I know you see it.
Yeah, it's so crazy.
So I think the notion is, is okay, where is he really from?
Is he truly from the north?
Yep.
Is he working class?
or is he actually, you know, kind of this upper class?
And the reason why I think class comes into place
because when I got here to the UK,
I had no idea how regimented.
Yeah, it's such an old school concept.
You know what I mean?
It's like, because our country's 2,000 years old.
My dad gets really angry about this.
Because my dad was like, I went to work.
We had money, we didn't have money,
and then we had it again,
and then we didn't have it.
And I'd never ridden that.
First lyric I put out,
I'll admit I've never been broke,
but I have been broken.
The first line of Youngblood ever came out.
And I really think the internet wanted to put a narrative on me
because I've got an accent like this.
You think my accent's about it?
Me, mum, talk.
Hello, love.
And, like, yeah, I mean, mum,
and it's interesting.
People want to put you in a box.
Right.
And I hadn't ever said anything other than the truth.
That's it.
Right.
You know what I mean?
Right.
That's my vibe and that's all I can, that's what I can say about it, you know?
So what, what do you think the idea is behind trying to say that you were from a different,
because I feel like the idea, and correct me if I'm wrong.
Yeah.
You've been hearing this your whole life, right?
Is that you're, you're from an upper class than what you are.
It's almost like you're misrepresenting class.
Yeah, I don't, yeah, I don't get that.
I don't get where that is from because, again, like, what my dad's,
as it goes, right, your granddad went to war, came back, got a gas station in Stainfuth that
had an hardware store with his brother, with a house in the back, and then he had two sons,
Richard and Philip, my granddad was in a band, Uncle Philip went to school and became a doctor
moved out of London, and then my granddad started a music shop, and then we had a music
shop and then you were born into a music shop.
So it's just like, I don't know what class that makes me.
Right.
But we had a successful music shop.
My family's the real deal.
I know more about rock and roll music than it.
Because it was my education.
And sometimes people would be like, oh, well, you had it handed to you because you were from
a music shop.
I'm like, I'm telling you, you're tripping.
I'm into it.
And now I'm 27 years old.
I'm like and kind of formulated my internal argument.
Yes.
I'm like, I can't.
I don't know what to say to you.
You're talking shy.
Yeah, like, move on.
Yeah, move on.
And it's, and it's kind of just like, oh, is that all you got?
You were going to use that.
Cool, man.
Cool.
All right, that's fair.
Yeah, I mean.
What about this is, all right, another, I think, misconception, but let's see is queer baiting.
Ah, I knew you were going to say this.
All right.
What, yeah.
So with queer baiting, so everyone, you know, understands is this notion of,
alluding to having same-sex relationships.
Yes.
But not having same-sex relationships,
but the reason why people allude to it
is so that they can gain an audience,
you know, a queer audience.
100%.
What's your...
My vibe is like, I don't know what people want to say about that.
I've fucked everyone under the sun,
and that's the vibe.
And I love love.
And if it's a vibe, it's a vibe.
and that's
again it's interesting
to be like this
I think when you sign up for entertainment
people like
this is performative
this is da-da-da
and people can
formulate an idea
on something that they don't even know
in the same way
we're talking about John Lennon
or whatever it's like
that song is about that
it's like no I just woke up
and I had a shit today
and I wrote a song
but some days it's just like
oh yeah no
say what you want
I don't know what I say to you
I'm into, I'm into, if the person's a vibe, the person's a vibe.
Right.
Rock and roll, man.
Do you know what I mean?
I know.
I were wearing a skirt since I was six.
You know what I mean?
I was into that vibe.
I was into like Brian Moco from placebo and that's why I wore, you know what I mean?
And I was, but I get people jumped on a bandwagon sometimes to get access.
But me, it's a bit more pure than that.
I'm just like, yeah, man, I'm into the vibe.
But so now at 27 doesn't bother you?
No, it's funny.
I think it's like, I think it's like, it's funny.
I'm just like, yeah, man, think what you want.
Just go with it.
But yeah, so I'm saying it's like, whatever, man.
Yeah, because you knew.
I was like, you were like, I knew it.
I knew it.
I mean, I'm into the vibe.
Are there any other misconceptions about you that you just find that are fun?
You got the ones in the comments.
You got those two of the, those two are the main things that went around the internet.
that when you're 21 years old and Twitter's,
when you're the main character on Twitter for a day,
and a narrative that isn't real becomes truth.
Yes.
What are you doing that situation?
27 years old now, I probably be like, right,
you're all talking bollocks, and here's why.
21 years old, you shut down.
Yeah.
Because you're like, oh, God, oh.
And then you almost have, like, kind of,
you just don't want to get,
you don't want to open that can of worms
because you feel like you're justifying yourself.
One other that I just thought about, but this isn't a misconception, but it kind of, it's a good word.
I like it.
Last comment I saw was someone wrote under some kind of video was, I don't understand why people hate on this guy.
Right.
So you think about that, I don't understand why people hate on this guy.
A lot of folks in the comments, what I've noticed is that there's a sense of, I need to have a voice and opinion.
Okay.
but there also seems to be like this targeted
I want to come after him yeah do you feel that
yeah but I get it why though
I'm louder on myself
I'm a little bit of an easy target I think
because I think I'm quite opinionated
and I like I think I've got an energy that people don't believe is real
that's the thing like went out to the pub the other day
and one of my best mates was with another artist
and my best mate went
oh, Dom's going to come through
and a person, oh no, I don't know if I can handle that.
What do you mean?
People just think I'm false,
or I'm going to be a dick,
or I'm a little bit too excited.
But what people don't understand is the places that they see me in,
radio, TV, and watch shows.
Of course I'm excited.
I'm on the radio.
I'm on the TV.
What do you want me to do?
All right.
How's your day going?
Yeah.
You know what I mean?
It's like, and then I went to the pub, met the person.
And they admitted to me, pissed up a bit later.
It was like, oh my God, I completely got you wrong.
And can I tell you what?
I am a little bit of exhausted of people getting me wrong.
Because I promise you, I am exactly.
the same here
as I am when I meet you
every pub I go into
is you're actually right
oh you're actually nice
I'm like
what does that even mean
you know what I mean
all my favorite thing is
is the masculine thing
oh yeah
I thought you're a bit of a dick
I don't really like your music
but you actually sound
I'm like
thank you
don't know how
respond to that
but I appreciate you
know what I mean
Like it's such a bizarre thing.
Was it, was it all of these kind of misconceptions that led you to take your social media break?
Yeah.
Because the thing about it is, right, if you think about me, right, I walk into a pub.
People that probably might not even know it's me, but when you're in that world.
Yeah.
And why is it, so help me understand this.
Yeah.
Why is it that there's a fixation on the comments rather than the content?
Because I see this with my 14-year-old son and his friends.
is that they go to the comments before they go to the content.
Because as human beings we follow,
what does other people think about this?
Can I like it?
Instead of going, do I like it?
Do you like that picture on the wall?
I love it.
Hell yeah, so do I.
I tell you if I didn't.
What if there was 17 comments underneath going,
that picture is shite, would that influence your decision?
Would that influence your son's decision?
Do you know what I mean?
That is the way, that's why I think art
or that's why I think the world is pretty scary right now
because we base our opinions off of everybody else's
instead of going, do I like this tree?
Do I like this sneaker?
Do I like this music?
My friends don't like this music.
My friends don't like these sneakers.
Shit, I better not do that.
You know what?
Ultimately, that's self-esteem.
Completely.
Because when you have low self-esteem, you need the validation.
100%.
And I think, like, again, like, if you, like, with this album, I had to be like,
this is about me.
Okay.
And this is about myself.
It's about me creating something for myself.
For yourself.
So that break, you took, it sounds like you needed the break for many different reasons.
Yeah.
But did you take that time and just put it into the album?
I went into the album.
What happened was, I think when you write in L.A. or London with songwriters, whatever that means, everything's great.
Mediocrity slides because people want to cut.
If you're a relatively successful artist.
So what I had to do is I went up north to make the next album with my producer, Mattie, who did the first album with me.
and my Scottish guitar player we spoke about earlier,
Adam, who's my best mate,
and a guy called Bob, who's known me since I was 15, right?
Oh, wow.
As humans, we teach ourselves to hide.
We hide.
All the time, we hide.
Because if you genuinely reveal yourself
and you genuinely put yourself on a plate
and someone else rejects it,
turns the nose up at it,
invalidates it.
It's the biggest trauma
and the biggest internal question
you get, you go like,
oh my God,
and you hide.
We would rather not say something
in our fear of being like uncool
or judged or we'd just hide.
And I was hiding.
I was hiding after this,
in this point in my life,
you know, when I went to make this album
and what was amazing
making this album with
people who just want their truth from me,
they kind of,
unpicked me.
Yes.
It allowed me to kind of
show me eyes again.
I always say that,
like, allow people to steal your eyes.
You know what I mean?
I always say that kind of weird metaphor.
Like, let them steal your eyes.
Let them see your eyes.
You know what I mean?
Because it might inspire.
Let them, you know what I mean?
Let them take your soul like the,
you know, when you get like the little bit of light,
I'm looking in yours right,
you got a little bit of white light in your eyes.
Yes, yes.
Like that's when you let people,
like, let people,
Let me nick a bit of that.
I'll let you nick a bit of that
because that's how we connect and how we communicate.
Wow.
So you would say this album will be your most raw.
So in the past I've gone like a song like Hated.
This is what this song's about.
This is what it means.
This is what, etc.
Whereas on this album,
I wanted to kind of relinquish my ego
and let my internal subconscious talk
and write songs about change and time and mortality.
And life, and why am I here?
And why did I feel this?
But in such a way that it will mean something different to your life
than it will to mine.
Yes.
And it's going to be a double album that comes out in two parts.
Okay.
And part one is almost like the light and the self-reclamation.
And part two is almost like it comes crashing down to earth
and I comprehend my mortality.
You know what's so profound about that is your first book, in essence.
It's a journal.
Yeah, it is.
you know um and i was writing loves and hates yeah and the i ended with the last love was the moment
yeah ma'am just love loving being in the moment that's that's that's that's the vibe in it and
and that was such a such a strange uh thing for me to write because that book really came in in
a period after the album when the book the festival go into the
the album.
Wow.
Okay.
It was very much like, okay, I needed to write something that would allow me to ask questions
to myself and help people to the life.
It's like, all right, what are six things you love about yourself and six things you hate
about yourself today?
I was like, so kind of like doing these weird exercises to kind of like start a journey of
like, you aren't all right right now.
And then I was like, maybe we should make this a book.
And it was like, very like cool to kind of talk to people.
about it because people were like six things you love.
I'd be like chocolate, football,
and then something profound, like, The moment.
The moment, yeah.
So it can kind of, it doesn't always have to,
Salvador Dali or Mahatma Gandhi level, profound shit.
One day you might just be like,
coffee in bed in Primroseill with her,
holding my mum's hand,
because now I'm 27 and I feel like I can again.
And three, watching Donnie Rovers become first in the league.
You know, I mean, it can kind of be like, or then it can literally just be like, my confidence.
Yes, yes.
And I can see those are your true loves.
Yeah.
Yeah, and hates.
Can we come back and spend a second on your grandfather?
Yes.
Your reflection, so did you mention that your grandfather passed?
Yes, he did.
Okay.
How long ago?
My grandmother and my grandfather passed within five years of each other, and my granddad died to 18 months ago now.
Okay.
All right.
I'm sorry to hear that.
I didn't know that.
I didn't know about this.
But it's interesting because I wanted to come back to ask about what they think of your career.
So now I have to come and say that in that moment, when you think back to what they would think about the man that you've become, what is that?
The last time I ever saw my grandmother and love.
we just saw that Wembley arena
and it was his birthday
and my granddad
was so important to me and my dad
that he really
gave me again the fundamentals of community
and rock music
he gave me this adventure
I grew up in adventure
and grew up in this
choose life mentality
do it do it do it
do not pass up on an opportunity for a moment or a memory.
That was my granddad.
He was like, ride till the wheels fall off, you know what I mean?
And he was a bit of a cynical old bastard,
especially when it came to music,
because he was the musician in the family,
and then I started to want to do that.
So he always kind of felt a sense of responsibility
to tell me what was good or bad.
He'd ring me, not your best.
Oh, that song's all right.
or this and this
21st of February is his birthday
and we're headlined Wembley Arena
21st of February 23
and I sang happy birthday to him
and I couldn't really see him
I know I wasn't someone
who would say he was proud of you
just wasn't built in him
and I think like my dad
wanted that from him his whole life
and I wanted that from
him
just because he was such a legend
um
But I've seen videos of him
just smiling like I'd never seen him smile before
and it was cool to kind of like see that
I remember we got on our bus
and I was last on
and just turned to me in this one
I was the last time I saw him
and I think he said he was proud of me
in that
because again like when people
again when we talk about the misconceptions
in my upbringing it was like
everything I was like did
was been judged by musicians
in a guitar shop
and a lot of them I didn't made it
Grandad wanted to be a rock star
but didn't have the words
he didn't have the words
he couldn't put his emotion into words
and that was a fundamental battle
that I think I'd face with
people is like
I found the words
this makes me
have to ask
your song zombie
yes
all right what is zombie about
So, this is my favourite song in the album
because it was the first song that came out off this
new project where I always wanted to strip everything back
and be like, right, let me write about a fundamental experience
and this song is about my grandmother and my grandfather.
My grandmother was the most glamorous northern lady you've ever met.
Red nails, leopard shoes, blonde air, rollers in.
So, non.
And she died of alcoholism.
When the business went bankrupt, kind of, she just, she never kind of came back from that.
And she always used to have a drink, but she really started to drink a lot.
And the song is about deterioration and watching her deteriorate.
And what was harder than watching the deteriorate was her watching her self.
come to the realization that she deteriorated so far that there was no way back.
And the biggest thing I learned about writing this song was taking that fundamental emotion
and rapping that inside a song that would again make it feel accessible to people in
different scenarios.
We all feel ugly.
We all feel like we do.
don't want to ask for help.
We all feel like we have to go at this life alone.
But one experience can change that.
By the time she asked for help, it was already too late.
You know, and no one really knew that the main lyric of the song is
if I was to talk about the words, they would hurt.
So if you were to ask about the pain, I would lie.
That was the first line I came up with.
and that was partly about losing her
but also partly about me thinking
what would she have said
you know
and I kind of left it on ice for a while
and then my grandfather died
and uh
I really needed to kind of revisit that for them
you know and finish it
and yeah that's what the song's about
it's about this feeling of kind of
feeling ugly and feeling helpless
and not wanting to be a burden for somebody
which is often made up in your own head
never have been a burden for me
could never have been a burden for my mum my dad my sisters
my auntie we wish you were still here
we would have done anything you know
but people um we get into these dark places
where the six things we make up in our heads
aren't often the case
you know what I mean
and if only we would talk about them
if only would communicate
this is what I'm feeling
maybe the people that love us would go
yo what are you talking about
or like no matter how far
you stray from each other
there's someone out there
even if you're related or not
that will show you kindness
and I think that's why I believe
Like, people call me a bit of a tripper or a bit of a dreamer, you know.
But I really believe in people.
As much as the shit that I see fundamentally on the day-to-day,
like, really believe in kindness and I really believe in love because I see it every day.
I get to watch a show every night.
You can forget that.
Yes.
I get to watch 20,000 people.
I get to watch lovers kiss.
I get to watch people have an argument and resolve it.
I get to watch a father and a daughter find common ground in this.
Yes.
I get to watch old people and young people connect on something.
Otherwise, they would have been rivals.
You know what I'm saying?
I get to watch beautiful things.
And that's the fundamental, like, meaning of the song.
And I can't wait for it's cool.
come out i think it's i think it's probably one of the best pieces of younger music yet it really shows
that you know your grandmother your grandfather right all these loved ones they live through the music
yeah i can't wait for it to come out that song that song's been been amazing for like five years
and i'm finally putting it out you're putting out look at that so weird our songs kind of rear their
head and find their time yes and now's the time yeah now is the time it's crazy yeah what would
seven-year-old Dom say if he met 27-year-old Dom.
You'd probably stick his tongue at him, like, who the fuck are you?
Because that's definitely me as a kid.
I went back, I looked at all these interviews, and sometimes, you know, going back certain
years, I didn't see this level of brightness in your eye.
Yeah, it was one instance I want to talk about that kind of really impacted my life
and really kind of summed up the album
when I brought it into the real world.
Because I've written it.
Right.
Right.
I've written it in the studio.
And when you take it to the world,
that's when you really learn what it is.
You have an idea of what it is.
When you give it to the world,
the world kind of tells you back what it is.
And I was at this event in Amsterdam.
And a load of people have turned apart side.
And, you know, it's like when cameras are there.
And you're a bit like, whoa.
But I got to have this huge.
Human interaction with a girl and she was like, your music saved my life. You saved my life.
And I was like, no, I didn't save your life. You saved your own life. Maybe my music was a soundtrack to it.
Or maybe it provided you hope. Or maybe it provided you a little bit of a spring in your sub-depth.
But you made the fundamental change or turning point in your own life.
to even say these words and that is what I wrote this album about and it's called idols because it's the first time in my life I realized that I was the one with the answer the whole time to peace and same way that you are your peace 27 years and you figure that out just now just now yeah you've got to turn to yourself you know it's very crazy it is as well and to your point
is that we have to go through that storm.
Yeah.
In order to build up the resilience, in order to be self-reflective.
Completely.
You know, so I'm completely with you.
Dude.
You know us a lot is Donna's like, we need to talk.
We talked about it all.
Yeah.
You know?
And I always have a last question that I ask.
And then I have an ending thought, but I cannot wait to hear the answer to this question.
This is, everyone gets this question.
Cool.
If you think back to your 27 years.
Yeah.
You've had some incredible conversations.
with incredible people.
Which conversation stands out the most?
And who is it with?
What did you learn in that conversation?
15 years old,
I went down to the basement of the producer
who is with me now called Marty Schwartz.
And I never thought the love of my life
would be a 54-year-old Israeli man.
Kick me out of his studio in 15 minutes.
And I remember this,
changed the trajectory of my life because I was in London and I was
I was kind of like trying to make it right and I brought in these songs that I've
been listening to other people blah blah blah he's like these are shit I never had someone
like hit me like that I was like 15 years old and he looked at me and he was like
who are you and I didn't know and I left that studio
traumatised
but I really remember that
that conversation changed my life
because I went home
but in the back of my mind
I was like this guy's right
and I remember Thomas
my manager at the time kept ringing Matt
and he'd been like you gotta get back in with him
you gotta get back in with him
and this started a thing called the month
and I call it the Youngblood month
because I went home
and I had
a front room
in Wandsworth
and Tomas
my manager was paying me rent
sat in my front room
and I just wrote that down
and I had a TV
and a couch
and I was like
Who are you
and I came up with
I literally spider diagramed everything
I was like
what am I mad about
what do I wear
what I want to what I want to look like
what's where the pink socks came out
I knew that I loved Sex Pistols pink
and I went back
and if you asked Matty today
I came back with five
fire in my eyes and then that led to the get down the song I wrote in the get down the poem about
Brexit who are you yeah no one never asked me that and that allowed you no one never asked me
something that simple go on the journey stories everything's about stories yes stories
are everything how you got your record yeah that's the story that I was saying like I was actually
talking to a guy and really a guy who's just coming to my life who um um
He's a guy called Oshan, who is a pub landlord.
He's just opened an Irish pub called the Devonshire in town.
And we have a deep love of music.
And he's got this crazy pub with a back room that's like,
he allows crazy artists to come in,
and you'll find, like, Ed Shearing or Capaldi or me
or Nile Oran just back there playing.
And like, you just like pints of Guinness, doing all the vibe.
It's so funny you said that, because we were talking about that yesterday.
just like we went for breakfast yesterday and we were just like what's it about in the day?
Stories. It's all about stories. If you're a pub landlord owner, if you're a musician, if you're a doctor,
if you're a decorator, it's all about stories. You, when you sit down on your deathbed or when you
sit down at Christmas, what's it about? Stories. When we sit together, stories, we tell stories.
So make sure you're present enough when they're happening. Or you're going to have no.
stories to tell.
That's golden.
It is, it really is.
This day and age.
Yes, that's golden.
Don, this has been incredible.
Dude, honestly,
thank you so much.
I've loved it.
Honestly,
I felt like I,
I felt like he gave me a,
gave like old me a voice.
I pushed a lot of shit down,
especially like misconceptions around me.
You know?
I felt like a,
I just had to kind of let it go
and let people think that shit
and not kind of have an argument back
and you gave me that today
I appreciate that
No, it's been an honor
Thank you too
It has been an honor
And I tell you what
I cannot wait
For the album
Yeah dude, dude
Come and sue him
And I say my son can't wait
Dude honestly no cat blood fest
If you're around 21st of June
Bring your whole crew
You know I've never done a festival
With my boys
Oh my God that could be lit
And to be honest
You got well let's make it happen
That'll be sick
We'll bring them backstage in that
Oh, my God. He's just going to go...
Yeah, it's going to be epic, honestly. I think he'll freak.
All right, done.
Done and done and done.
Thank you. Thank you.
Thank you.
You're a leisure. That was so sick.
You are, man.
Yeah, you are. You're doing it right.
Once again, I love the conversation.
The plan was not to go in and talk about masculinity.
That was not on the cards, but I found we continually went back to that topic.
And you can see it was on his heart.
And at 27, he's now just full.
fully realizing and understanding what masculinity means to him.
And I think that's powerful for him to be so forthcoming about that, you know.
And he admitted to still being on this kind of journey of exploration, self-love,
and dealing with insecurities.
But you know what, who isn't?
We are complete in our incompleteness, you know, and he represents that concept well.
And what I loved about this conversation is we began to remove labels of things.
That's a label that we need to remove.
What he has is a version of love.
As he was saying it, my initial thought was, well, you need to be with her.
And I'm going to now coach you into being with this woman that you love.
I was like, I'm just going to let you talk, and then I'm going to start coaching you.
Send me the check later.
But then as he continued to talk, what I realized is that he truly is identifying what
his self-worth is, what his self-esteem is, he's regaining his self-confidence.
And to his point, and he said this eloquently, is you need to have that intact or
an assemblance of that before you can fully emotionally connect with someone.
Because he used the example in a disagreement.
He would just walk off or not fully understand.
So he actually is doing it right.
Do you think you can be friends with your...
The quick answer is absolutely.
You could be friends with your ex.
Many people are not because of how the relationship ended.
It sounds like this was a mutual decision that they made.
So it's, to me, it feels healthy.
I'd love to see them get back together.
I'd love to see it.
The conversation around who are you?
Yeah.
Yeah.
You know, when Don was saying this, right?
I was in my mind, I kept saying,
I hope he doesn't ask me.
I mean, that should be asked on a date, every date.
Right.
Who are you?
Who are you?
I guess it depends on how you say it.
Yeah, you say it.
Who are you?
Who are you?
Are you ready?
That's probably too much.
Let me see.
How about everyone?
Everyone.
Everyone.
Oh, my God.
Sheffield.
Chef.
Scott, how do you say this?
Is it Shepfield?
Sheffield.
At least this isn't live, right?
Well, no, but that's like to change, isn't it?
So we are going to do, we need to talk live for the first time.
The magic is in the conversation, so we'll have a very special guest.
You know what's probably most cool about this is this will be the first time that the we need to talk community will come together in person.
You know, I'm curious to see, what does everyone look like?
What do they smell like?
Sheffield, July 5th, at the Crucible Theater.
So to get tickets, very simple, it's crossedwires.com.
It's very important to buy tickets quickly because they will go fast.
We'll make sure that there's a link below.
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